3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 020, Ferrari Refutes the Decline of the West and So Do Classical Compact Discs: Some Reflections on Freedom, Materialism and the Winning of the Cold War (1990), by Brian Micklethwait

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 021, Why the State Should Stay Out of Culture: An Economist’s View (1990), by Professor John Burton

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 022, Rock Music and the Subjectivity of Taste (1990), by Kevin McFarlane

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 023, Milan Kundera and the Struggle of the Individual (1991), by Robert Thomas

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 024, Umberto Eco and the Grand Design: Reason and Unreason in ‘Foucault’s Pendulum’ (1991), by Robert Thomas

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 025, Collectivism Versus Romanticism in the Early Cinema: Sergei Eisenstein and the ‘Mass-Hero’ (1991), by David Botsford

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 026, What Culture Is and Why It Shouldn’t be Subsidised (1991), by David Lucas

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 027, Immortality: Liberty’s Final Frontier (1991), by David Nicholas

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 028, George Smiley: A Real Hero (1991), by Jeff Scott

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 029, Heroes Are Forever: The James Bond Thrillers (1991), by Tom Burroughes

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 030, Romanticism and Its Enemies in Twentieth Century Cinema (1992), by David Botsford

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 031, Against Free Verse (1993), by Thomas Fleming

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 032, Against Deconstruction (1993), by Professor Roger Scruton

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 033, Sonic the Hedgehog as Individualist Hero: A Libertarian-Conservative Defence of Video Games (1994), by Iain Smedley

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 034, Moving Pictures: An Excursion Into the World of the Rock Group Rush (1994), by Kevin McFarlane

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 035, The Hecklers Are Right About the Musical Avant Garde (1995), by David Hellewell

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 036, The Politics of Geroge Orwell (1903-1950): From Tory Anarchism to National Socialism and More Than Half Way Back (1997), by Martin Tyrrell

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 037, The Tate Gallery and the Cult of Modern Art: Critical Reflections on the Millennial Opening of the New Bankside Gallery (1997), by Robert Dixon

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 038, Freedom of Expression and Its Enemies: Reflections on Milos Forman’s ‘The People vs. Larry Flynt’ (1997), by David Botsford

3 January, 20048 September, 2022 Without Prejudice

Cultural Notes 039, On Why Millionaires Make Better Art Patrons Than the Government (1997), by Brian Micklethwait