Category: Cultural Notes
Cultural Notes 021, Why the State Should Stay Out of Culture: An Economist’s View (1990), by Professor John Burton
Cultural Notes 022, Rock Music and the Subjectivity of Taste (1990), by Kevin McFarlane
Cultural Notes 023, Milan Kundera and the Struggle of the Individual (1991), by Robert Thomas
Cultural Notes 024, Umberto Eco and the Grand Design: Reason and Unreason in ‘Foucault’s Pendulum’ (1991), by Robert Thomas
Cultural Notes 025, Collectivism Versus Romanticism in the Early Cinema: Sergei Eisenstein and the ‘Mass-Hero’ (1991), by David Botsford
Cultural Notes 026, What Culture Is and Why It Shouldn’t be Subsidised (1991), by David Lucas
Cultural Notes 027, Immortality: Liberty’s Final Frontier (1991), by David Nicholas
Cultural Notes 028, George Smiley: A Real Hero (1991), by Jeff Scott
Cultural Notes 029, Heroes Are Forever: The James Bond Thrillers (1991), by Tom Burroughes
Cultural Notes 030, Romanticism and Its Enemies in Twentieth Century Cinema (1992), by David Botsford
Cultural Notes 031, Against Free Verse (1993), by Thomas Fleming
Cultural Notes 032, Against Deconstruction (1993), by Professor Roger Scruton
Cultural Notes 033, Sonic the Hedgehog as Individualist Hero: A Libertarian-Conservative Defence of Video Games (1994), by Iain Smedley
Cultural Notes 034, Moving Pictures: An Excursion Into the World of the Rock Group Rush (1994), by Kevin McFarlane
Cultural Notes 035, The Hecklers Are Right About the Musical Avant Garde (1995), by David Hellewell
Cultural Notes 036, The Politics of Geroge Orwell (1903-1950): From Tory Anarchism to National Socialism and More Than Half Way Back (1997), by Martin Tyrrell
Cultural Notes 037, The Tate Gallery and the Cult of Modern Art: Critical Reflections on the Millennial Opening of the New Bankside Gallery (1997), by Robert Dixon
Cultural Notes 038, Freedom of Expression and Its Enemies: Reflections on Milos Forman’s ‘The People vs. Larry Flynt’ (1997), by David Botsford