27 June, 202615 June, 2026 Bryan Mercadente

The AI Slop Deluge: When the Internet Starts Eating Itself

18 June, 202617 June, 2026 Reginald Godwyn

A Torch for this Age of Decline

16 June, 20265 April, 2026 Bryan Mercadente

Hounded (2022) Review – Class War and Middle Class Leftist Hypocrisy

3 June, 202617 June, 2026 Sebastian Wang

Meyerbeer’s Le Prophete: Effects without Causes

2 June, 202614 June, 2026 Bryan Mercadente

The Viper’s Hex (2017) Review – A Bleak and Unsettling Descent into Tokyo’s Underworld

26 May, 202613 May, 2026 Sebastian Wang

The Clot and the Creed of Progress: Reflections on Malcolm Kendrick and the Dogmas of Cardiology

22 May, 202610 May, 2026 Marian Halcombe

The Bosch WAN28201GB: A Case Study in Enshitification

20 May, 20264 June, 2026 Bryan Mercadente

Baban Baban Ban Vampire: Farce, Blood, and Moral Panic

2 May, 20269 May, 2026 Reginald Godwyn

The Pension as Pretext: How the Blairite Clerisy Proposes to Loot the Old and Call It Reform

19 April, 20262 March, 2026 Bryan Mercadente

Callas (2024): The Diva Reduced to a Shuffle

30 March, 20264 April, 2026 Bryan Mercadente

Mortal Engines: A Wasted Allegory

15 March, 202621 March, 2026 Bryan Mercadente

The Honest Realtor: Japanese Comedy with a Curse of Integrity

19 February, 20269 March, 2026 Bryan Mercadente

A Review of Satyricon (1969)

7 February, 20264 February, 2026 Bryan Mercadente

What You Wish For (2024) A Commentary on the Epstein Scandal?

5 February, 202622 January, 2026 Sebastian Wang

Mozart and Money: Looking Behind the Sentimental Myth

26 January, 202629 September, 2025 Bryan Mercadente

The Ransom (2023): Yoon Sung-mo Proves There Is Life After the Boyband

19 January, 20262 February, 2026 Bryan Mercadente

Ghosts of War (2020): A Spectral Disaster That Should Be Buried in a Shallow Grave

4 January, 202626 December, 2025 Marian Halcombe

The Information State: Politics in the Age of Total Control

22 December, 20252 January, 2026 Sebastian Wang

Beethoven’s Bonds: Patronage, Friendship, and the Truth Behind the Myth

21 December, 202527 December, 2025 Bryan Mercadente

Children of the Night (2023): Gay Vampires, But Nothing to Suck On