Category: Reviews (Film)
Double Blind (2023): A Clever, Unnerving Take on Science and Survival
Those About to Die: An Historical Epic That Flatlines
Chris Everard’s Gumroad Page: The Digital Toilet of Conspiracy Kitsch
Project Wolf Hunting: A Relentless Voyage into Horror and Action
Save My Seoul (2017): A Sanctimonious Snooze-Fest
Honour and Mercy in Takashi Miike’s “Hara-Kiri: Death of a Samurai” (2011): A Review
VFW: Gore, Neon, and Not Much Else
A Good Woman is Hard to Find (2019): Blood and the Inevitability of Vigilantism
Skinford: Death Sentence (2017): A Squandered Premise Drenched in Mediocrity
Nosferatu (2024): A Soulless, Sterile Remake of a Masterpiece
The Witch: Part 2. The Other One – A Sequel in Search of a Plot
The Wailing (2016): South Korea’s Masterpiece of Madness and Fear
Blood and Money (2020): A Dreary Trudge Through Snow and Nonsense
We Still Steal the Old Way: The Sequel Nobody Needed
We Still Kill the Old Way (2019): A Pleasant Surprise in the Crime Genre
The Witch: Part 1 – A Thrilling, Character-Driven Sci-Fi Masterpiece
Monster (2014): Art, Murder, and the Horror of Family
The Russian Bride: A Gothic Thriller That Loses Its Mind in the Final Act